How to Record Drums—Techniques for Capturing the Perfect Sound

In this article, we'll take a comprehensive look at the best ways of recording drums. From mic placement to the software you'll use. Whether it's a snare drum or a bass drum, this guide will have you recording like a pro.

August 16, 2024
10 min read

Are you an avid drum player? Do you want to start recording your sound but have no idea where to begin? A snare drum, kick drum, and bass drum each make a very different sound and need to be recorded just right.

Recording drums may take some getting used to, but with our guide, we'll tell you everything you need to know. From how to set up your space, to choosing the right equipment and software, it's all covered here.

Table of contents

  1. Setting up your space
  2. Prepare your workstation
  3. Drum set up
  4. Microphones
  5. Recording the bass drum
  6. Recording the snare drum
  7. Recording hi-hats
  8. Recording toms
  9. Overhead mics
  10. Audio interfaces
  11. Using software

Setting up your space

Before recording, you need to find the best recording space for your drum kit. Barring a recording studio, here are some ways to set up a space at home:

Man playing drums with light shining from the side

Room size and location

A large, empty room is going to have echoes or reverbs. If the room is too small, you'll have the opposite problem. A good, medium-sized room is what you should go for.After figuring out the size you want, you can find the right space. If you can't have a dedicated room, you should choose a nice, quiet, and cozy space. Find the room where the acoustics are just right.

Avoid background noise

Avoid putting them in rooms with other appliances like a washing machine or an ACV unit. Anything that makes a sound can dilute your sound. Having less background noise means less sound bleeding into your mic

Use furniture to absorb sound

Still getting echos? Furniture is great for absorbing sound. Likewise, you can remove furniture to reduce sound absorption.A drum rug is a piece of furniture that keeps your drums steady. Drum rugs are usually around 5 x 6 feet, and can nicely fit your drum kit on top.Thirdly, things like foam acoustic panels can be put on your walls. These panels help to cut back on high frequencies, improving your sound. If you can't afford to buy anything, then sheets can work well too! Diffuser panels could reflect sound if you're needing to add some more life to it too.

Prepare your workstation

Man playing drums in a corner

Have you got a space set out for your drum kit? Great! But if you want to know how to record drums, then you'll need to have a whole workstation prepared. Here are some things you'll need – Desk – A desk or table to put your computer on, and an audio interface. This'll make recording and editing easier.Power outlet – You'd be surprised how many people forget. Having a power outlet close by is vital for all your equipment that needs to be plugged in.Storage – Having something like a shelf or stool close by can keep all your bits and bobs in one place. Stuff like a drum key, dampening rings, headphones, and other accessories can be kept close by.Computer accessories – A mouse is way better than any trackpad, especially for precise adjustments.Keep it tidy – You're going to have a lot of wires running around, and while it might have a certain charm to it, messy wires lead to trip hazards. You'll feel a lot better with a clean and tidy workstation

Drum set up

Drum set in a studio with speakers and lights

You've got the spot, and you know everything you need, it's finally time to set up your drum kit for recording.When it comes to recording drums, you need the right kit for the style you want. Try and get each of your drums to be from the same brand. This'll make your drum sound more uniform. Of course, if you for some reason don't want this, you can mix and match different cymbals and snares.When choosing cymbals and snares, keep in mind:The size – Aim to have a variety of different sizes. Different sizes give different pitches and sounds. Typically a heavy cymbal goes well with a smaller cymbal, to create two distinct sounds that complement each other.Sticks – Damaged sticks with affect your sound, so keep them in good condition.Spacing – Keep your tom drums and cymbals spaced from each other, and at the right angle. The right angle can be whatever suits you best. Also, keep an ear out if they are rattling, any dynamic mic will pick up on that sound.Drumheads – All drums come with a drumhead, the thing that you're hitting. You can use the drumheads the kit came with, or you could get some new ones.Tuning – A tight tuning is better for things like jazz and pop, and a lower tuning is better for rock. If you need to, you can get a tuning device to help you find the right tension.Cleaning – A clean kit is a happy kit. Keep it well-maintained and clean. Now and then screws can come loose or parts can start to break. Keeping a close eye on things can keep your drums sounding the very best.Recording electronic drums is a simpler process. An electronic drum kit can usually be plugged into an audio interface and that can handle the rest. However, if you're recording acoustic drums, then you'll want an extensive mic set up.

Microphones

Woman holding microphone
  • Your drums are all set, tuned up and ready to record some amazing sound! Let's get some mics! With such a huge range of microphones out there, it's daunting trying to find the right ones. Having different mics for different drums can let you play with your sound more, but it isn't necessary.First, look at your audio interface and how many input channels it has. All the mics will be inputted here. Decide which drums want their own mic and which don't. Typically you want a mic to get the whole drum sound, and another for a bass drum. It's ultimately your choice how many mics you use.Here are 3 types of drum mics that are good for recording drum sounds.
  • Dynamic microphone in a studio
  • Dynamic mics – A dynamic mic records sound by converting sound waves into a voltage by using a magnet. The soundwaves vibrate the diaphragm which creates electricity. This is then increased using an audio transformer, and sent back out, creating sound.These durable mics can isolate more sound. You should use dynamic mics for a bass drum, a snare drum, or toms.
  • Condenser mic with a black background
  • Condenser mics – Soundwaves vibrate the diaphragm and a magnetic plate. This creates electricity that is then sent through a phantom power supply that will increase and output it as sound.Condenser microphones are good for capturing the overall sound as well as cymbals. A condenser mic is more sensitive and can pick up higher frequencies.
  • Ribbon microphone with blurry background
  • Ribbon mics – Similar to a dynamic microphone, a ribbon mic, instead of using a diaphragm, using an extremely thin piece of metal suspended in a magnetic field.A ribbon mic is typically what you'd find on a mic stand. These are used as overhead mics for the general sound. They are highly sensitive, so be careful with them. They are also the most expensive, so only invest in one.
  • Placement
  • Whether it's small diaphragm condenser mics or dynamic microphones, the next step is mic placement. Overhead mics should be positioned somewhere they get a balanced sound from your drum kit. Other mics need a more careful touch, and will vary depending on the drum.
  • Recording the bass drum
  • Bass drum, or a kick drum, towards the front. A drum kit on stage
  • The bass drum, or kick drum, is the largest drum in the kit. It is the large vertical one in front of you nad makes the loudest sound.Bass drums have a loud 'booming' sound. If you want a good kick drum mic, then dynamic microphones are the way to go. A mic like a AKG D112 is a great choice for handling all those loud sounds.For its placement, you'll want to have the kick drum mic closer to the kick drum head. Some kick drums have a hole, designed for the mic to be near. The closer, the better, as it will pick up more sound. As always, the best way to decide is by ear.Use short mic stands so that the mic isn't touching anything, as this can dilute the sound.
  • Recording the snare drum
  • A snare drum with a balck ba
  • Snare drums are the side drums, and make quite the distinct, sharp sound when struck. They are smaller than the bass drum. You should have at least one of these.Snare mics are best positioned over the rear lip of the snare drum and then toward the center. There are so many ways to make your own unique sound when recording snares. You'll want to use a smaller mic. Practically speaking, one around the size of a pencil-head will do, as it will want to be above the snare, and you'll obviously want to avoid hitting it.A condenser mic like the AKG C451 or a dynamic mic like the Shure SM57 are both great choices. A dynamic mic can produce a well-controlled, bigger snare sound. A condenser mic is more sensitive, so it can get a more delicate sound at a higher frequency.Most people use a dynamic mic over a condenser to record a snare drum.
  • Recording hi-hats
  • Cymbal in a dark, smokey room
  • Hi-hats are cymbals that are on a high stand. You usually have two of these, one that gives you a higher tone, and one for a lower tone.If you have a mic too close, it will pick up the blast of air whenever you hit a hi-hat. Place it a good distance away and close to the edge so that it avoids being hit. Aim to have it about 2-3 inches away. This placement has the added benefit of pulling in a wider range of tones.Condenser mics with a small diaphragm are best for hi-hats, or possibly a Shure SM57. If you want a high-frequency sound, however, condenser microphones are better for that.
  • Recording toms
  • Tom drum with white background
  • Tom-toms are a drum that doesn't have any snares. They come in a range of sizes to make a variety of different sounds. Having a couple of these is essential for your drum kit.Whether it's a regular tom or a floor tom, dynamic microphones are the best choice. A Shure SM57 is a good choice again, or you could go with a Sennheiser E604 to get a great drum sound.These should be placed directly at the drumhead to get the best sound. Always adjust and play with the height, making sure that it's kept out of the way so that you don't hit it.
  • Overhead mics
  • Overhead microphones with a curtain in a background
  • When it comes to recording overhead sound, two mics are optimal. Overhead mics are used for recording everything. You don't need cymbal mics for each cymbal, an overhead mic can handle it.A small diaphragm condenser mic is ideal due to how sensitive it is. Their higher frequencies can pick up the cymbals individually. As the name implies, they should be put somewhere above the drum kit, where they can get the entire sound. You could place it in the middle of the kit or to the side. The other overhead mic placement can be on the other side or a bit further away, where it can pick up different room sound.After setting up each of your mics, it's time to get them plugged in and recording.
  • Other uses for dynamic microphones
  • Are you needing to record more than just drums? The good news is that dynamic microphones are great for other instruments too.Audio and guitar can be recorded with a dynamic mic thanks to it being not too sensitive. If you're going to be recording more than drums, make the most of it and record your audio and other instruments as well.
  • Audio interfaces
  • Zoom in of a audio interface
  • An audio interface is kind of like a translator for your music. You plug in your mics, and it translates your sound into a format that your computer software can understand. You'll want to find one with enough XLR inputs for each mic. A Focusrite Scarlett 18i20 is a great option to choose, with plenty of XLR inputs.You want a high-quality interface to reduce latency and to make sure nothing is missed when the audio is sent over to your software.
  • Preamps
  • Preamp with silders showing graphic equaliser
  • A preamplifier can boost the signal that comes through your mic. Good use of preamp can make your drum sounds clearer and less distorted. Some interfaces come with a preamp built in, but they can be bought separately. The benefit is that it can be dedicated to a single task, giving you a better outcome.Find a preamp that is specifically good for drums and you're golden. The Focusrite Scarlett OctoPre MKII has 8 inputs and is great quality for money.
  • Software
  • Man in studio looking at a screen, using recording software
  • Recording drums isn't just about the mic setup. After you've recorded your tunes, it's time to boot up the recording software and get editing. To get your best drum recordings, editing is vital.
  • Editing and comping
  • Once you’ve recorded your drums, and uploaded your drum recording to your software, it's time to clean up your audio tracks. Editing gets rid of unwanted noise and mistakes. It can comp the best takes from multiple recordings and stitch them together to form a seamless drum track.When editing, focus on ensuring the timing is tight, especially for the kick and snare, as these are the foundation of the rhythm. Use your recording software’s tools to adjust the timing and crossfade any edits for a smooth, natural sound.
  • EQ and compression
  • Equalisation and compression are essential tools for shaping your drum sound during mixing. EQ allows you to boost or cut specific frequencies to enhance the overall sound. For example, you might boost the low end of the kick drum for added punch or cut some midrange from the snare drum to reduce muddiness.Compression helps control the dynamics of the drums, evening out the volume levels between softer and harder hits. This can add punch and sustain to the drums, making them sit better in the mix. However, be careful not to over-compress, as this can lead to a lifeless, squashed sound.
  • Reverb and effects
  • Adding reverb and other effects can give your drum recordings a sense of space and depth. A touch of reverb on the snare or toms can make them sound larger and more dramatic, while a subtle room reverb can help glue the entire kit together.When applying effects, it’s important to use them sparingly. The goal is to enhance the natural sound of the drums, not to drown them in artificial processing. Always listen critically and adjust the effects until they complement the overall mix.
  • Conclusion
  • From the setup and microphone placement to editing and the software, recording drums can be a complex process. The right techniques and attention to detail can help you achieve a great drum sound that forms the backbone of any audio track.Putting together your drum kit, whilst also finding the perfect mic placement to get the right drum sound takes time. Once you've found it you'll be recording like a pro, creating the perfect drum sound for your music.
  • TYX Recording Studios London
  • Music recording studio with a keyboard and sound system
  • If you’re looking for professional assistance or a state-of-the-art recording environment, TYX Recording Studios is here to help. Our expert engineers and world-class facilities are ready to bring your drum recordings to life, ensuring you get the best possible results every time.Contact us today and start recording hi-fidelity music!
  • Frequently Asked Questions

    Can I bring my own Sound Engineer to a TYX recording studio, or do you provide one?

    We have a roster of engineers, videographers and lighting assistants you can add on to your booking starting from £25 +VAT per hour.If you'd like to bring your own engineer to a TYX recording studio you're welcome too. Our production studios are set up for plug and play so if you are used to recording your own vocals and running your own sessions, you will find our set up easy to acclimate to.

    How long can I book the TYX recording studio for?

    We are open 24/7 to members, 9am-9pm for non members. If you need to book irregular hours please contact us directly by phone or through our web form.

    Can you record drums at home?

    Yes. While a studio is the best place for recording most kinds of sound, it can still be done at home. Make a space in a separate room that is roughly medium-sized and has some furniture in it as well.If the room is too large, it will echo. A small room would make your sound flat. So a medium-sized room has some echo, and furniture can be used to absorb excess sound.

    Do you record drums first or last?

    It's entirely up to you. If you have more than one instrument to record, the order is up to you. A good suggestion is to record the more complex parts first, as those parts will take more time and effort. Once you have recorded those parts, the rest of the process is up to you.

    Is recording drums expensive?

    Buying all the different drum mics, as well as the hardware and software, can be very expensive if you want to get the most expensive equipment. Mics can easily cost over £100 and that's without the audio interface and software.Using a studio is a potentially cheaper option as they have top-end equipment available.

    How to record drums for a computer?

    Using an audio interface is the best way to record drums for a computer. An audio interface translates the sound it records into audio files for your computer.The extra benefit for this is that these files can be read by editing software, letting you make changes and fix any problems.

    What is the 3 to 1 rule for drum mics?

    When using multiple microphones, they need to be distanced enough from each other. This rule states that the distance between microphones should be at least 3 times the distance between the sound source and the nearest microphone.

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